齊物—杭春暉個展

齊物—杭春暉個展

Type Exhibition
Client Asia Art Center 亞洲藝術中心
Year 2018

Artist HANG Chunhui 杭春暉
Graphic Design Sung, Di-Yen 宋狄諺

「齊物」一詞源自道家,語出莊子《齊物論》內篇,為道家哲學的核心原則,如文中所言「物無非彼,物無非是。自彼則不見,自知則知之」,認為真實是由矛盾觀點建構而成,主張世事正面與否端視觀者而定。相對真實概念亦常見於各種藝術討論,例如形與物、虛與實、東與西的對比,均屬二元關係。杭春暉新作「珍珠」、「被形式遮蔽的信息」、「無界」、「透明色」中,創造矛盾觀看方式,藉由形與物的模糊界線,探究物質與空間的相互關係。

The exhibition title “Intertexuality” originates in Taoism, and specifically in the philosopher Chuang Tzu’s text in the Inner Chapters, “The sorting which evens things out” (as translated by the Welsh Sinologist A.C. Graham). Widely regarded as the core principle underpinning Taoist philosophy, the chapter examines truth to be a construct of contradicting perspectives, as paraphrased from the writing, “everything may be either positive or negative, decided by the beholder.” Intriguingly, this concept of relative truth has recurred in different artistic discussions, such as comparisons between: form and material, reality and illusion, East and West. Nevertheless, these contrasts can all be summarily understood as the relationship of duality. In Hang’s new series: “Pearl”, “Message Obscured by Form”, “Boundless”, and “Transparent Color”, he creates a paradoxical way of seeing that blurs the boundary between materials and form to explore the interrelation between matter and space.


設計概念 → 還原、重現、再體驗

「被形式遮蔽的信息」是件以書冊為形式,無法被攤開的偽3D作品,這種被視覺經驗誤導的假象,如果化為真實,被實際攤開閱覽的話,這樣的再現也呼應了本次策展主軸——形與物、虛與實的對比。
而為了重現閱讀的體驗與手感,本次手冊採用雙冊對開的形式翻閱,讓兩本冊子既是獨立的個體,合併後更是完整的呈現展覽與作品的面貌,閱讀的節奏上由迫而緩,讓觀者一層層的剝開,不論左右那翻到哪頁,皆可拼湊出各自的語境,外襯紙的選用上,也是選用接近原作質感的采億—采文紙,些微粗糙的觸感接近於宣紙的質地,對於黑墨的顯色也保留著大多細節處,內裡紙則選用輕塗布的聯美—奇艷紙,造成內外紙張觸感質地上的對比。

「將視覺上的假像重現在紙本,藉由閱讀為開端,讓每個人陷入虛實交錯的空間中。」

Print 日動印刷
Size 14×22cm
Paper
外襯 采億-日本采文中性紙
內裡 聯美-萊卡奇艷紙
Processing
外襯 霧黑燙金、水性亮光油
內裡 水性光油
Binding 內冊使用騎馬釘,並將兩側黏貼外襯紙內裡

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